The Nigerian box office has a new benchmark, and Toyin Abraham’s comedy Oversabi Aunty sets it.
First, the film crossed the ₦1 billion mark, signalling stronger confidence in star-led Nollywood productions.
Film One Entertainment confirmed the milestone in a post on X.
Oversabi Aunty Box Office Breakthrough
Notably, Oversabi Aunty became the first Nollywood directorial debut to gross over ₦1 billion.
At the same time, the film ranks as the fourth highest-grossing Nollywood title ever, unadjusted for inflation.
Overall, the figures show strong and sustained audience demand across West Africa.
Strong Opening Momentum
At launch, the film earned ₦87.8 million during its opening weekend.
In addition, preview screenings contributed another ₦12.7 million.
As a result, total opening earnings reached ₦100.5 million.
Consequently, the film delivered one of Nollywood’s strongest openings of 2025.
Distributors credit effective marketing and strong word of mouth for the rapid momentum.
Meanwhile, high cinema attendance in Nigeria and Ghana boosted early box office performance.
Read Also: See Why High Air Fares Still Mean ₦8/Km Profit In Nigeria
Once again, comedy proved Nollywood’s most reliable commercial genre.
Global Rollout Ahead
Film One Entertainment described the milestone as a major industry celebration.
The distributor also confirmed that cinemas nationwide continue to screen the film.
Meanwhile, selected cinemas in the United Kingdom have begun screenings.
Next, distributors plan releases in the United States and Canada.
As expected, the international rollout targets strong interest from diaspora audiences.
Importantly, the achievement marks Toyin Abraham’s first ₦1 billion run in West Africa.
In turn, it strengthens her reputation as a dependable box office draw.
Previously, Alakada: Bad & Boujee earned ₦500.3 million at the Nigerian box office in 2024.
The film maintained audience interest throughout a 13-week cinema run.
Meanwhile, Oversabi Aunty features a strong ensemble cast of established Nollywood actors.
The story follows Toun, a well-meaning but intrusive church usher.
However, her constant interference slowly turns her household into chaos.
Ultimately, relatable humour and social tension continue to drive the film’s appeal.
